The Island Churches of the Strand

Many King’s students have likely passed the ‘Island Churches’ of the Strand as they make the pilgrimage from Somerset House to the Maughan Library. Likewise, many Strand dwellers may recognise their spires from afar, perhaps unaware of their history. Just a few minutes walk separate St Mary le Strand, located between Bush House and the…

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The Adelphi and Robert Adam

Benedetto Pastorini's engraving of the Adelphi terrace in its splendour.

By the end of the eighteenth century, the Strand had become the theatre of one of London’s most adventurous architectural enterprises: the Adelphi. Four Scottish brothers Robert, John, James, and William Adam endeavored to transform a slum into a fashionable quarter, and in doing so, to promote their dream of social and artistic uniformity, equity,…

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The Strand as photographed by Anthony Frank Kersting

Detail of H01915 London Trafalgar Square, 27 Aug 1939, by Anthony Kersting, The Courtauld Institute of Art, CC-BY-NC.

Anthony Frank Kersting was a prolific (and under-celebrated!) photographer of the 20th century. His collection of thousands of photographic prints and negatives, including glass plates, have been held at the Conway Library at the Courtauld Institute of Art since his death in 2008. The collection is being digitised as part of a huge project that…

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Arundel Great Court: between redevelopment and conservation

Sectional perspective showing the court of 180 Strand as a roof garden, Frederick Gibberd and Partners, London, AJ Buildings Library (1976)

180 Strand, the remaining part of the former Arundel Great Court, is located between Somerset House and the Inner Temple. Constructed between 1971 and 1976 the building stands as a brutalist landmark in the heart of the Strand. Once a multi-use office space, now an art and fashion hub, the site will soon be redeveloped…

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A short history of Great Queen Street

Laid out around the time of construction of Covent Garden and Lincoln’s Inn Fields, Great Queen Street, just to the North East of Covent Garden, was the third step of the quest for homogeneity that seventeenth-century London then wished to pursue. Following the same principles of houses already built in the Covent Garden area, brick…

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The York Watergate

York Water Gate. London. Photograph by Mike Peel (www.mikepeel.net).

When the Duke of Buckingham ordered his York House (approximately located at present day 38 Strand) to be modernised in 1623, “it was customary for nobility to be conveyed by water” [1] while the less convenient carriages were preferred for state purposes. This made the building of private watergates by the river very common in…

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King’s College London Chapel Preservation Project

At King’s College London Archives our remit is to preserve and provide access to the material in our care. This project is an experiment in how we might apply that philosophy to digitally preserve our physical objects and spaces. The buildings of King’s have a rich history and have changed much over the years. The…

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A Wind of Tingling Fullness on the Strand

Top image: Detail of George II and The River Thames, by John Bacon.

A Wind of Tingling Fullness on the Strand: Sir William Chambers’ Sculptural Design and Somerset House as ‘the object of national splendor’ An Interview with Professor Michael Trapp, Department of Classics, King’s College London By Freya Zhang In her essay ‘The external sculptural decoration of Somerset House: And the documentary sources’, Susan Jenkins writes: “It…

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A Quixotic Ramble along the Strand

The Knight of the Woeful Countenance in the Street of the Sagging Purpose: A Quixotic Ramble along the Strand[1]   by Charles Lock Professor of English Literature, University of Copenhagen   On Strand Green was a windmill…[2] For Clare Brant   A strand is both a thread and a margin, an agent of binding and…

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